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Emperor Gia Long ordered the construction of Hue Citadel in 1805. The vast complex is built according to the notions of fengshui or Chinese geomancy, but following the military principles of the noted 18th century French military architect Sebastien de Vauban. The result is an unusual and elegant hybrid, a Chinese-style Imperial City carefully aligned with surrounding hills, islands and waterways, but defended by massive brick walls between 6-12 metres high and 2.5 metres thick, punctuated by towers, ramparts, a massive earth glacis, and 24 Vauban-inspired bastions.<br/><br/> The entire complex was further protected by wide moats, crossed by gracefully arched stone bridges leading to ten gates, the chief of which is Cua Ngo Mon, the south-east facing ‘Meridian Gate’. To compound the exotic hybrid effect, guard posts designed as Chinese-style miradors, complete with sweeping eaves crowned by imperial dragons, surmounted each gate. Finally, directly in front of the Ngo Mon Gate, a massive brick fort 18 metres high was constructed both as an additional barrier against malign spirits, and as a defensive redoubt.<br/><br/> The area within the Citadel - in all, 520 hectares (1300 acres) - comprises three concentric enclosures, the Civic, Imperial and Forbidden Purple Cities. Access is by way of ten fortified gates, each of which is reached by a low, arched stone bridge across the moat. In imperial times a cannon would sound at 5am and 9pm to mark the opening and closing of the gates.<br/><br/> Hue was the imperial capital of the Nguyen Dynasty between 1802 and 1945. The tombs of several emperors lie in and around the city and along the Perfume River. Hue is a UNESCO World Heritage Site.
The Tang Dynasty (June 18, 618 – June 1, 907) was an imperial dynasty of China preceded by the Sui Dynasty and followed by the Five Dynasties and Ten Kingdoms Period. It was founded by the Li family, who seized power during the decline and collapse of the Sui Empire.<br/><br/> The dynasty was interrupted briefly by the Second Zhou Dynasty (October 8, 690 – March 3, 705) when Empress Wu Zetian seized the throne, becoming the first and only Chinese empress regnant, ruling in her own right.
Chu was a hegemonic, Zhou dynasty era state. From King Wu of Chu in the early 8th century BCE, the rulers of Chu declared themselves kings on an equal footing with the Zhou kings.<br/><br/> Though initially inconsequential, removed to the south of the Zhou heartland and practising differing customs, Chu began a series of administrative reforms, becoming a successful expansionist state during the Spring and Autumn Period. With its continued expansion Chu became a great Warring States period power, and its culture a major influence on the Han dynasty.
The Summer Palace (Yiheyuan) was originally created during the Ming Dynasty, but was designed in its current form by Qing emperor Qianlong (r. 1736 - 1795). It is however Qianlong’s mother, the Qing Dowager Empress Cixi who is most irrevocably linked to the palace, since she had it restored twice during her reign, once in 1860 after it was plundered by British and French troops during the Second Opium War, and again in 1902 when foreign troops sought reprisals for the Boxer Rebellion, an anti-Christian movement.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.<br/><br/> Dong Ho painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Dong Ho folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a genre of Vietnamese woodcut paintings originating from Dong Ho village (làng Đông Hồ) in Bac Ninh Province, Vietnam.<br/><br/> Using the traditional điệp paper and colours derived from nature, craftsmen print Dong Ho pictures of different themes from good luck wishes, historical figures to everyday activities and folk allegories. In the past, Dong Ho painting was an essential element of the Tết holiday in Vietnam.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 CE and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Abu Said Ubaud Allah Ibn Bakhitshu's Ibn Bakhtishu's Manafi' al-Hayawan is an illustrated bestiary in the Persian language.<br/><br/> The Bakhtshooa Gondishapoori (also spelled Bukhtishu and Bukht-Yishu) were Assyrian Nestorian Christian physicians from the 7th, 8th, and 9th centuries, spanning 6 generations and 250 years. Some of them served as the personal physicians of Caliphs. Like all physicians in the Abbasid courts, they came from the Academy of Gundishapur in Persia (in modern-day southwestern Iran). They were well versed in the Greek and Hindi sciences, including those of Plato, Aristotle, Pythagoras, and Galen, which they aided in translating while working in Gondeshapur.<br/><br/> Yahya al-Barmaki, the vizier and mentor to Harun al-Rashid, provided patronage to the academy and hospital in Gondeshapur and helped assure the promotion and growth of astronomy, medicine, and philosophy, not only in Persia but also in the Abbasid empire in general.
Abu Said Ubaud Allah Ibn Bakhitshu's Ibn Bakhtishu's Manafi' al-Hayawan is an illustrated bestiary in the Persian language.<br/><br/> The Bakhtshooa Gondishapoori (also spelled Bukhtishu and Bukht-Yishu) were Assyrian Nestorian Christian physicians from the 7th, 8th, and 9th centuries, spanning 6 generations and 250 years. Some of them served as the personal physicians of Caliphs. Like all physicians in the Abbasid courts, they came from the Academy of Gundishapur in Persia (in modern-day southwestern Iran). They were well versed in the Greek and Hindi sciences, including those of Plato, Aristotle, Pythagoras, and Galen, which they aided in translating while working in Gondeshapur.<br/><br/> Yahya al-Barmaki, the vizier and mentor to Harun al-Rashid, provided patronage to the academy and hospital in Gondeshapur and helped assure the promotion and growth of astronomy, medicine, and philosophy, not only in Persia but also in the Abbasid empire in general.
Siyah Kalem or 'Black Pen' is the name given to the 15th century school of painting attributed to Mehmed Siyah Kalem. Nothing is known of his life, but his work indicates that he was of Central Asian Turkic origin, and thoroughly familiar with camp and military life. The paintings appear in the 'Conqueror’s Albums', so named because two portraits of Sultan Mehmed II the Conqueror are present in one of them.<br/><br/> The albums are made up of miniatures taken from manuscripts of the 14th, 15th, and early 16th centuries, and one series of paintings is inscribed 'work of Master Muḥammad Siyah Kalem'. Something of the style and techniques of Chinese paintings is apparent in these, and an acquaintance with Buddhist art, particularly in the depictions of grotesque demonic figures.<br/><br/> It seems likely that certain paintings contained in the 'Conqueror's Albums' are of Chinese origin and may have been used as stylistic guides for painters in the Siyah Kalem tradition.
The Shahnameh or Shah-nama (Persian: شاهنامه Šāhnāmeh, 'The Book of Kings') is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 CE and is the national epic of Iran and related Perso-Iranian cultures. Consisting of some 60,000 verses, the Shahnameh tells the mythical and to some extent the historical past of Greater Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.
Emperor Gia Long ordered the construction of Hue Citadel in 1805. The vast complex is built according to the notions of fengshui or Chinese geomancy, but following the military principles of the noted 18th century French military architect Sebastien de Vauban. The result is an unusual and elegant hybrid, a Chinese-style Imperial City carefully aligned with surrounding hills, islands and waterways, but defended by massive brick walls between 6-12 metres high and 2.5 metres thick, punctuated by towers, ramparts, a massive earth glacis, and 24 Vauban-inspired bastions.<br/><br/>The entire complex was further protected by wide moats, crossed by gracefully arched stone bridges leading to ten gates, the chief of which is Cua Ngo Mon, the south-east facing ‘Meridian Gate’. To compound the exotic hybrid effect, guard posts designed as Chinese-style miradors, complete with sweeping eaves crowned by imperial dragons, surmounted each gate. Finally, directly in front of the Ngo Mon Gate, a massive brick fort 18 metres high was constructed both as an additional barrier against malign spirits, and as a defensive redoubt.<br/><br/>The area within the Citadel - in all, 520 hectares (1300 acres) - comprises three concentric enclosures, the Civic, Imperial and Forbidden Purple Cities. Access is by way of ten fortified gates, each of which is reached by a low, arched stone bridge across the moat. In imperial times a cannon would sound at 5am and 9pm to mark the opening and closing of the gates.<br/><br/>Hue was the imperial capital of the Nguyen Dynasty between 1802 and 1945. The tombs of several emperors lie in and around the city and along the Perfume River. Hue is a UNESCO World Heritage Site.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.
The phoenix is a mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) Phoenicians.<br/><br/> A phoenix is a mythical bird that is a fire spirit with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self.<br/><br/> In China and Vietnam, the Fenghuang is a mythical bird similar to the phoenix. It is the second most-respected legendary creature (after the dragon), largely used to represent the empress and females, and as such as the counterpart to the Chinese dragon, traditionally seen as masculine or imperial. The phoenix is considered the greatest and the leader of birds.
Isfandiyar, son of Gushtasp (the 5th Kayanian King) Battles Simurgh, the Fantastic Bird. From the Shah-nama (Book of Kings) the Epic of Medieval Persia by Firdawsi, a 10th century poet. Shiraz, 1330.<br/><br/> The Shahnameh or Shah-nama is an enormous poetic opus written by the Persian poet Ferdowsi around 1000 AD and is the national epic of the cultural sphere of Greater Persia. Consisting of some 60,000 verses, the Shahnameh tells the mythical and historical past of (Greater) Iran from the creation of the world until the Islamic conquest of Persia in the 7th century.<br/><br/> The work is of central importance in Persian culture, regarded as a literary masterpiece, and definitive of ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical links between the beginnings of the religion with the death of the last Zoroastrian ruler of Persia during the Muslim conquest.